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We invited our patrons to participate in a creative conversation through images. Each photographer participant was sent a single image with no information about it, and asked to respond with the next link in the chain, an image of their own that spoke to what they had received. Here is where our contributors took this story…   Ann Piche, Ottawa, ON “breakfast lunch supper ”  The inspiration for this image is Stephen Leacock’s short story “The New Food.”  A large family is gathered around the Christmas table for dinner. 13 plates of food have been condensed into one pill. While the father is giving thanks, the baby of the family grabs the pill and eats it.   One of the first presentations of a meal in a pill idea was at the Chicago World Fair in 1893. People from different fields were asked what they thought life would be like in 1993. American suffragette Mary Elizabeth Lease predicted that we would be eating synthetic foods in a pill form, so women could get away from the kitchen.       Lori Ryerson, Toronto, ON “Tanks Giving” This image was captured around Thanksgiving, the timing of which gave me the play on words to title the piece. When I see things like these empty BBQ tanks in a dumpsite, I can’t help but consider the our North American waste habits, unnecessary landfill, and how many people do not get a Thanksgiving meal due to food scarcity.   Alan Bulley, Ottawa, ON “Thanksgiving With Bechers”  A play on the seasonal theme, colours and repetition of round shapes.     Mark Walton, Waterloo, ON “Thanksgiving prep at the Walton/O’Connell household” A Graflex SuperGraphic 4x5 shot direct to fibre photo paper, scanned and inverted.     Valerie Lancia, Toronto, ON My initial reaction to the photo I received was to think of something tastier than Brussel sprouts! (I'm not a fan of them at all). My thoughts lead me to consider the process of growing foods, and seeds. I picked milk weed seed heads thinking about how they provide sustenance for monarch butterflies. Many people still pull the plant thinking it's a weed, but it's an edible food for a vital part of our ecosystem.   Ian McKenzie, Calgary, AB Food can range from fine art all the way to crass commercialism. This photo falls firmly at the latter. This five metre statue of a Cheeto, placed in a quiet hamlet in Southern Alberta is a marketing ploy. It seems to have worked, there’s been media coverage beyond Canada’s borders and a steady stream of visitors drive out to get their photo of, or with the sculpture.   Patricia Parsons, Ottawa, ON   Playing on the idea of food sculptures, I photographed a fruit bowl that I made 30 years ago, in grade 10. I still have it and love it even though it's been cracked a couple times from various moves it has gone through.      Gabrielle de Montmollin, Welland, ON “Still Life with Three Pears”  My image also has a ceramic component, a jug and part of a vintage faux fruit plate, in addition to three pears. I was drawn to the similarity of the dark backgrounds which are reminiscent of the style of 17 th  century Dutch still lifes which I love.     David Brandy, Toronto, ON The strong golds and yellow colours in the image I was provided,  reminded me of a photo I took at sunrise of a hay bale. I learned recently through the Ontario Farmland Trust, that we lose 319 acres of farmland a DAY in Ontario. To me this is insane and has to stop. The food cycle begins with farmers. No farmers, no food. Farmers feed cities.   Kenneth Udle, Orleans, ON Hay is integral to sustaining cattle and horses.   John Healey, Ottawa, ON This copy of The Joy of Cooking  was my mother’s go-to resource from the 1970s. Like the presented image of food being dispensed to farm animals this volume dispensed the knowledge to feed herself, husband, and five kids, at the same time studying to become a chartered accountant. I was fortunate to collect this beloved book from her estate and have worked on documenting each page where there is evidence of her hand.     Chris Goodyear, Kanata, ON For me, the real joy in cooking is eating and sharing the comfort foods made by loved ones, like, my Dad's Superbowl Seville Orange Marmalade. This image was inspired by Mary Pratt's work, and my intention is to convey the pleasure found in food made by and for our loved ones.    Conan Stark, Waterloo, ON The mason jars, wood texture and bright warm hues called to mind a field-to-table approach to our relationship with food. My mind went to a photo I took of the activity at the community focused Kitchener Market.   David B. Williams, Toronto, ON Luxury foods appeal to our hedonistic sides but they are also important in the social interactions of those who can afford them. Who doesn’t like to stop in at cafés like to gawk through the windows at the wonderful creations and to share them with friends along with coffee and conversation?   Shelagh Howard, Halifax, NS In the image I received, we appear to be looking at a high end bakery on a busy street, likely in a metropolitan city.  The baker appears detached, her mood unknowable, and the reflections in the window of the people passing by give us a clear view of the outdoor world and the indoor world overlapping, yet, feeling very separate.     My image, taken though the window of a small, rustic restaurant in Yellowknife shows a woman in what appears to be communion with the bread she in kneading. It feels like a very personal and intimate moment. Although also taken through a window with elements of the outside reflected, they barely register and become ambiguous, rather than being equally balanced as was the case in the other image.   CB Campbell, Thunder Bay, ON My first instinct when seeing this photo was to respond in kind. But seeing another artisanal baker preparing loaves through a window wouldn't be much of a conversation.  Instead I chose this image to complement and play off the first. I imagine both pictures could have been taken on the same street.  The coffee shop is locally owned, these windows also reflect trees and the immediate environment, but now the action is playful.   Vitallii Sovhyra, Toronto, ON For me, there is always a spot for sweets with a cup of coffee. I enjoy having nowhere to rush and taking my time savouring treats. Victoria Prevot, Burnaby, BC Photography is the sweet food that feeds my soul. Tracey Halladay, Elk­ford, BC When I saw the photo I was sent, it made me think of the Lady and the Tramp scene when the dogs are eat­ing spa­ghetti in the moon­light. My response was to cre­ate a scene of my own. RAMO/HCKYGRLPHOTO, Toronto, ON After the bed­time story, the mice snuggled to sleep. And now I get to have a late night snack too! The 'Food Chain' project featured in our FOOD issue   Did you enjoy this FREE read? Consider JOINing us!   • JOIN US AS A PATRON   • SUBSCRIBE FOR PRINT DELIVERY   Follow us on Patreon , Facebook , and Instagram , and sign up for our e-newsletter to keep up with all our adventures!

Mindful photography is not just about what we see, but how we see. It’s a contemplative way of slowing down enough to experience presence.   From the NAUTICAL REFRACTIONS  series by Anna Wilson Sunlight danced across the worn hulls of fishing boats in Lake Bolsena’s harbour, catching ripples in the water and the textures of chipped paint. In that fleeting shimmer, the ordinary — the harbour, the boats, the gentle lapping of the lake — felt extraordinary. Photographing in that moment became meditation, a pause where noticing and presence converged. From the NAUTICAL REFRACTIONS series by Anna Wilson Mindful photography offers a way to return to a moment, discover inscape  rather than escape, and access creative flow through intentional observation. For anyone seeking a pause from the everyday, it provides a restorative path back to presence and creativity. My venture, Mindful Eye Photography, grew from this insight — and from a desire to create the kind of community I wanted to support my own practice. I am looking to create a space where photographers of all levels may explore, reflect, and create without pressure or comparison — nurturing clarity, fostering connections, and rediscovering inspiration. Mindful photography   draws from Zen and Tibetan dharma art traditions, where art is a form of direct experience and spiritual expression. One lineage, Nalanda Miksang, emphasizes practice over performance — creating from awareness, authenticity, and curiosity rather than ego or decoration. Each photograph becomes a meditation, a way to see deeply, fully, and honestly. From the RECONSTRUCTED series by Anna Wilson “The contemplative practice is to transform the obvious, ordinary experience into an appreciation of the ordinary as extraordinary — the appreciation of it for what it is, the ordinary magic of being alive.”  — McQuade & Hall, Looking and Seeing: Nalanda Miksang Contemplative Photography My photographic workshops, retreats, and journeys begin with stillness — breath work, meditation, connecting to the senses, or simply pausing to observe. The camera becomes a tool for reflection, a frame through which participants explore balance, light, texture, and nuance. Mindful observation turns distraction into focus, revealing patterns and surprises that bring both order and vitality to the photograph. “Anna’s program encouraged me to slow down, be present, and truly reconnect with who I am as a photographer.”  — Jo Gomes, past retreat participant Mindful photography naturally extends to photographing people. John Daido Loori, a Zen Buddhist monk and accomplished photographer, observes in The Zen of Creativity  that the image reveals as much about the photographer as it does about the subject. In street or portrait photography, participants ask: “Am I taking or witnessing?” They approach subjects with curiosity, openness, and ethical sensitivity, considering consent and context.  Costa Rica portrait by Anna Wilson “If your mind is cluttered, your images will be cluttered. If your heart is open, your work will be open." — John Daido Loori, The Zen of Creativity Approaching your subject with presence and respect allows moments to unfold naturally. Portraits and scenes become reflections of relationship, connection, and emotional depth — turning ordinary encounters into extraordinary expressions. Bringing my Mindful Eye Photography program into new landscapes felt like a natural evolution of my work — a way to unite mindfulness, creativity, and exploration. International journeys and retreats explore a variety of stimulating locations, offering opportunities for different types of photography while emphasizing presence, connection, and curiosity. Ordinary scenes — the play of sunlight on a harbour, the textures of a weathered street, or fleeting expressions in a crowd — can feel extraordinary when observed with attention and intention. From the SAN GEMINI series by Anna Wilson These experiences gently nudge photographers towards what heals and inspires, reminding us that noticing and creating are themselves restorative acts. Mindful photography weaves together structure and spontaneity, order and intuition, experientially demonstrating that both coexist beautifully. Whether capturing sunlight dancing on a lake, wildlife on safari, or moments in a bustling street, my goal remains the same: to move with presence, finding stillness in the act of creation. In a world that celebrates speed and productivity, perhaps the real art lies in the pause — in the space between breaths, where order meets chaos and meaning begins to take shape. It is in these moments of presence that photography reflects not only what we see, but also the calm, clarity, and aliveness that emerge when we are fully present. Mindful photography shows us that even amidst life’s chaos, we can find order — and in that balance, beauty, surprise, and meaning emerge. Find out more about joining the next Mindful Eye Photography journey... to SPAIN! ✨Alchemy of Light ✨ An 8-Day Mindful Photography Journey in Spain 🇪🇸⁠ Discover Mindful Eye Photography Join photographer and educator Anna Wilson  for immersive retreats and international journeys that blend photography, mindfulness, and creative flow. mindfuleye.ca  | @mindfuleye_photography

GURU'S TOP PICK WINNER: Laimis Urbonas  • Lithuania  Billed as the world’s greatest photo game, GuruShots is an international competition platform for photographers . Players get feedback from more than three billion monthly voters and try to work their way up through rankings, from Newbie to the ultimate status (and bragging rights) of Guru. TOP PHOTOGRAPHER WINNER: Oliver Isermann • Germany TOP PHOTO WINNER: Il quara vince  • Switzerland  The Power of Minimalism photography challenge showcases an exceptional collection of images by photographers from around the world. GuruShots’ challenges are voted on by the platform’s Gurus and the wider community, with a fresh challenge every day. Winners can receive prizes from GuruShots’ sponsors such as Adorama, Kodak, Lowepro, and Lensbaby.   Bryony Herrod-Taylor • UK   Damjan Žagar • Slovenia    Ivan Miksik •  Czech Republic   Cristina Sarageaua • UK   Gary Luk • USA   Octavian Oprea • UK   Michael Burlak • USA  To find out more, and take part in the next challenge, visit www.gurushots.com Also, check out GuruShots’ newest app AI Art Master.

The magazine for people who love photography with purpose. MEMORY - Issue #74 The MELD issue #73 Winter 2024/ 2025: COLOUR Fall 2024: TIME Spring/Summer 2024: LIGHT WINTER 2023/24: LAND Fall 2023: WATER Spring/ Summer 2023: FOOD Winter 2022/2023: Botanicals Fall 2022: Photography + Activism Spring/ Summer 2022: Fashion X Future photoED magazine is for: Culture Vultures. People who feel good about surrounding themselves with quality content and ideas. The Community. For intentional photographers seeking authentic, process-driven stories. “It’s the kind of magazine you want to revisit—slow down with, learn from, and maybe even pass along to someone else who’d appreciate it. Highly recommended—and not just for one read, but many.” - Sandrine Hermand-Grisel, AllAboutPhoto.com Featured Blog Articles Current Edition Order Print Edition Subscribe to get this issue + more! The MOVEMENT Issue #75 The MOVEMENT Issue #75 The MOVEMENT Issue #75 The MOVEMENT Issue #75 “Every avalanche begins with the movement of a single snowflake, and my hope is to move a snowflake.” – Thomas Frey Movement. Community, momentum, motion. Our 75th edition in print celebrates photography with forward-facing momentum. Featuring... Xavi Bou & nicholas x bent: Motion in Frame by Corinna vanGerwen Isabelle Hayeur & Ruth Kaplan: Border Stories by Alan Bulley Stuart Robertson: Peace in 10,000 Hands by Craig D’Arville Lori Ryerson: Quiet, noise, and moving in between by Rita Godlevskis Crip Trip: Reframing Disability by Gladys Lou + PORTFOLIO Artists from our International Call for submissions: Lorena Zschaber, Amy Heller, Yasser Alaa Mobarak, Roland Ramanan, Nika Belianina, Xiatong Cai, Ed McDonough, Peter Dušek, Julia Nathanson, Jonny Silver, Paul Mitchnick, Lesley Nakonechny, Ashot Harutyunyan, János Lakatos, Andre Conceicao. AND... Change Made with JAYU by Sid Naidu Mattie Gunterman: Playful Pictures by Cassandra Spires Thinking Outside the Cube: SPAO Photo Palk by Alan Bulley Tilly Nelson: Authentic representation by Hazel Love Book recommendations by Alan Bulley Protest is a Creative Act: Resistance and tides of change in Australia. Our cover features a detail from Xavi Bou’s “Ornithography #24.” Yellow-legged gulls at sunset in El Prat de Llobregat, Catalonia. Xavi Bou is represented by The Cardinal Gallery in Toronto. Digital EXTRA Edition A free digital companion edition Check it out - HERE “I love it! It’s a nice, analog way to interact with photography.” Subscribe for delivery Special Offers Digital EXTRA Edition DIGITAL BONUS CONTENT. Flick through our FREE BONUS companion edition. Patreon Perks Advertise With Us Call for Submissions “Subscribing to photoED is such a delight ... not only do we get to see wonderful images in the publication, but we also get great stuff in the mail! It's like a birthday party (without the cake) or Christmas (without the gaudy decorations) 3x/ year!” - Jude from Hamilton What’s on Patreon See the latest news for our community of Patreon supporters Find out more Photo Book Reviews About photoED Photography. EDITORIAL. From emerging artists to established photographers, we share photography stories in a brand new light. Meet The Team Since 2001 photoED magazine has been an inspiration for over 20+ years to photography professionals, students, educators, and enthusiasts alike. With origins in Canada as a grassroots education resource publication, it is now the leading creative content publisher in the editorial photography space in Canada—spanning print, digital, and social media. Jet Tag Safety Reflector Key Chain C$12.00 Price Buy Now Best Value! 6x issue /2 year SUBSCRIPTION C$125.00 Price Buy Now Great Value! 3x issue /SUBSCRIPTION 1 YR C$70.00 Price Buy Now GuruShots Extraordinary Architecture READ MORE HERE Frequently asked questions photoED magazine is for... • Photographers and photography lovers. • Process driven lens-based creators. • Intentional image-makers. • The open minded & curious creatives. • People who believe conversations about photography and art should be accessible. • People passionate about qualitative storytelling through photography. • Culture vultures. People that feel good about surrounding themselves with quality content and ideas because it is going to make their lives better. • People seeking worthwhile content that isn’t click-bait rip-offs. • People who celebrate and enable others to share their work despite industry trends and popularity-based online algorithms. • Folks that know you can never replace a live experience with fine art photography with a virtual one. photoED is NOT for… • Gear heads who want tech reviews. • People who enjoy buzzwords and art speak. • Click bait doom scrollers. • Critics & judges. • Folks that don’t see value in editorial integrity. • People who believe in old school institutional value structures determining an artists ‘worth.’ • Old boys club members and associates. How can I get photoED Magazine? We have a few great options for print and digital delivery! If you’re loving what we’re about, and have an interest in reading the publication (and getting some sweet perks) – join us on PATREON (https://www.patreon.com/c/photoedmagazine)to support what we do for as little as $2./ month. Our SUBSCRIBERS (https://www.photoed.ca/shop)receive the printed publication 3x/ year via snail mail, in April, September, and November. If you missed a theme you’re interested in – we have PAST EDITIONS available HERE.(https://www.photoed.ca/back-issues) Our list of bricks and mortar retail partners is HERE.(https://www.photoed.ca/newsstands) If your preference is digital, we post our replica editions – on Press Reader HERE. (https://www.pressreader.com/magazines/m/photoed-magazine/issues) If you’re a school or library – yes! You can order our publication via EBSCO / Flipster. Can I give photoED magazine as a gift? Of course, YES! Simply place your order for subscriptions, merch, past issues, special offers... online and edit the 'Shipping address' to be your giftees! If you include a 'note' we'll add a hand written postcard or note on the packaging to let your giftee know it's from you and how you thought they would enjoy our stuff! Everything we ship comes from our office in Toronto not a fancy fulfillment sorta place. Does photoED do refunds? Sorry, we just can't. Between postage and bank transaction fees, we just can't. But if anything changes for you, or an issue occurs, we do our absolute best to make things right. We respect our customers. Who creates photoED magazine? photoED magazine is independently published by Rita Godlevskis and a crew of new and regular collaborators. Find out more about our editorial curatorial team HERE. (https://www.photoed.ca/about) PATREON PATRONS,(https://www.patreon.com/c/photoedmagazine) subscribers and select advertisers collectively fund the creation of original editorial content with integrity, printed with high quality production values. Advertising with photoED magazine photoED magazine does not 'sell advertising,' We’re content partners that connect the brands we love with the readers and contributors we cherish. We don't do click bait or promotions for products or services that do not align with our readers interests. Our readers are sophisticated and we do not wish to serve them irrelevant junk. We help brands create connections and value through our print and digital platforms. Every brand and budget is unique, so every partner we work with is offered a bespoke promotional package that serves their goals & budget, and our readers equally. Get in touch t(rita@photoed.ca)o receive our media kit for general rates and production dates and deadlines. How do I get my photography published in photoED magazine? We always have opportunities going for photographers at any level! Our upcoming print edition themes and information on what we're working on is posted HERE.(https://www.photoed.ca/submit-your-work) For single image and short series works, we use online platforms for submission calls so that our JURY c(https://www.photoed.ca/about)an review work easily from wherever they are across Canada. Please do not send images for jury consideration via email. We welcome writers and photographers feature proposals that align with our editorial plans. Inquiries for such feature proposals may be sent via email. Please note, as a small independent publisher, we usually work 6-9 months in advance of our press dates to ensure that every artist and collaborator is pleased with our productions. Sign up to our news/(https://mailchi.mp/photoed/subscribe) read the print magazine/(https://www.photoed.ca/current-issue) read the digital edition/ (https://issuu.com/photoedmagazine)follow us on social media/(https://www.instagram.com/photoedmagazine/) check out the info on our website (https://www.photoed.ca/callforphotography)to stay in the loop! Does it cost $ to be published in photoED magazine? No. photoED magazine is NOT a pay-to-play business. We publish work we are excited to share and invest our professional resources to make our contributors works and words shine. Although some of our featured artists are also community supporters, this is not a requirement or consideration when we are putting together our editorial packages. Does photoED magazine pay contributors? Yes, photoED magazine offers small artist honorariums to Canadian contributors, dependent on a variety of factors. Each case is unique and each budget for each edition varies. Although CARFAC rates are still out of reach for our budget, we offer contributors printed copies of the publication (inc postage) and all our editorial support, working collaboratively to showcase artists work. We take our work seriously, and approach every artist at any level of their experience with the same respect. We do not commission new works and currently only publish existing projects. Does publishing with photoED magazine restrict my work? Submitting to PhotoED Magazine does not transfer any rights of ownership - the photographer retains full rights. We do not ask for exclusivity and the photographer is free to submit the image to any other publication/ project or exhibition. The owner of the photographs allows us the rights to publish and promote their work with credit, on our print and digital platforms.(https://www.instagram.com/photoedmagazine/) By submitting, the photographer acknowledges that they have full rights to the images and has obtained proper releases where warranted.

Winter 2024/ 2025 crossword answers

Print publishing is a unique and rare privilege that offers photographers a legacy document of their work and story. We love how it feels to hold beautiful images in your hands, and we want to share this experience with everyone. photoED magazine is not a pay-to-play publication, charity, data collection agency, nor are any editorial decisions based on institutional gate keeping or politics.  photography. Editorial. From emerging artists to established photographers, we share photography stories in a brand new light. since 2001. With origins in classrooms well before the dawn of virtual learning, photoED magazine started as a grassroots resource publication to feature local content, by and for Canadian educators. An inspiration for the past 23+ years to professionals, students, educators, and enthusiasts alike, photoED is now the leading creative content publisher in the editorial photography space in Canada spanning print, digital, and social media. Meet the team Pam Lau Curatorial Advisory Board Member Photographer, educator, and co-founder of Ecru ; a grassroots initiative for emerging creatives. Toronto based. Dana Stirling Curatorial Advisory Board Member Photographer, & Editor In-Chief of Float Photo Magazine. NY based. Peppa Martin Curatorial Advisory Board Member Founder + Director, The Commotion Digital Gallery Vancouver based. Maria Kanellopoulos Curatorial Advisory Board Member Associate Curator, TD Contemporary Art Collection Toronto based. Tobi Asmoucha Curatorial Advisory Board Member Photographer + educator Toronto based. Vicki Hoysa Curatorial Advisory Board Member Publisher at Applied Arts Magazine Toronto based. Eric Stewart Curatorial Advisory Board Member Photographer + photo-educator at Langara College Vancouver based. Mark Walton Curatorial Advisory Board Member Photographer, arts writer and editor at curatednow.ca Waterloo based. Patricia Ellah Curatorial Advisory Board Member Photographer, Toronto based. Photograph by Ebti Nabag and Oya Black arts. John Healey Curatorial Advisory Board Member Photographer + educator, Ottawa based. Jonathan Hobin Curatorial Advisory Board Member Creative Director, School of Photographic Art Ottawa Ottawa based. Corinna vanGerwen Contributing writer. Toronto based. Alan Bulley Photographer, and contributing writer Gatineau based. Rita Godlevskis photoED magazine Editor/ Publisher, Toronto based. Ruth Alves photoED magazine Art Director, London based. Marie-Louise Moutafchieva Photographer + photoED magazine Editorial Assistant, Toronto based. Deborah Cooper photoED magazine copy editor, Vancouver based. We publish Print publishing is a unique and rare privilege that offers artists a legacy document of their work and story. We love how it feels to hold beautiful images in your hands, and we want to share this experience with everyone. photoED magazine is not a pay-to-play publication, charity, data collection agency, and all editorial decisions are independent. photoED magazine is primarily reader supported and respects our audience by presenting fresh, original, editorial ideas in accessible language (no art-speak or tech-talk here). If you're interested in reading more detail about what goes on BTS - READ THIS. We warmly welcome contributors at any level of their experience with lens-based art. + Find our replica editions on Flipster/ EBSCO for libraries and institutions + photoED magazine is supported by our readers, subscribers, PATREON PATRONS, and select advertisers & community partners with a lens towards celebrating and supporting qualitative editorial content for photography lovers. Occasionally receive funding from grant programs for special projects we produce. We PUBLISH - in print and online: WELL CONSIDERED SUBMISSIONS by images makers with INTENTION. Fine art or commercial ORIGINAL creative works Diverse interpretations on our themes that challenge us to see things in a new way Existing projects/ works only. We do not commission new works at this time. Submissions are open to students, emerging photographers, as well as established pro's - ALL are welcome! FIND OUT MORE ABOUT SUBMITTING YOUR WORK - HERE. we support Community is what keeps us inspired and excited about the possibilities lens based storytelling offers. We proudly offer our content freely to organisations such as Ecru, a grassroots initiative supporting emerging creatives, founded by self-taught and self-employed photographers. + Connecting BIPOC Artists with Engagers & Employers